Description: "We are touched by what we touch. We are shaped by what we shape. We are enhanced by what we enhance." The Great Work -- Thomas Berry Sculpture invites us to more fully engage with our environment. It helps focus our attention on nature's materials and forms. Sculpture has presence and enlivens a setting. As we interact with sculpture, our senses are heightened and we become more acutely aware of the intricate beauty of our places. -- JL Image: Thin Green Line in granite and moss by Gary Haven Smith Opening Reception Sunday June 12, 5:00-7:00 p.m. Ethel H. Blum Gallery: How does nature nurture us? Sculpture made from granite, marble, moss, mica, and wood brings nature into our lives and explores the numinous quality of matter. June 8--September 30 The Farrand Gardens: Where we nurture nature, sculpture acts as a focal point for a contemplative setting. Sculpture sets up a dialogue with place and heightens our awareness of natural forces, cycles, and seasons. Sculpture Show and Sale Curated by Susan Lerner and June LaCombe--2005 [show more]
Description: Form, Light, and Spirit Recent Paintings of Mount Desert Island by Ernest McMullen On Exhibit From August 11 to September 22, 2005 Catalog essay by art historian John Wilmerding College of the Atlantic art professor Ernest McMullen has been painting year-round on Mount Desert Island for over thirty years. Following in a long tradition of artists painting the region before him, Ernest McMullen magnificently captures the luminous nuances of the natural world of Maine's Mount Desert Island. Front: Somes Landing, 2004, oil on panel, collection of Margot and Boykin Rose [show more]
Description: A Rare View: Everyday Life on Mount Desert Island, 1860 - 1940 The Raymond Strout Collection Early maps, posters, broadsides, ledgers, letters, wooden signs, handblown glass, bottles, oyster crocks and Soderholtz pots tell a special story of the everyday life of villagers of Mount Desert Island of the nineteenth and mid-twentieth centuries. Local historian Raymond Strout, who as a Bar Harbor schoolboy became fascinated with collecting "ordinary" objects from the past, reveals how eloquent simple objects and papers become over time. On exhibit from July 8 - August 6 Opening reception July 10 from 5:00 - 7:00 p.m. [show more]
Description: Opening Reception - Blum Gallery Tuesday, October 4, 2005 - 4:00 - 6:00 p.m. Featuring a panel discussion led by Prof. Gray Cox, Greg Field of Peace Action Maine, Pat Wheeler, Natasha Myers, and Robert Shetterly in the McCormick Lecture Hall, 4:30 - 5:15 p.m. On exhibit from October 3 - 29, 2005 Image: Bread not Bombs: Conversion of the Heart, by Patricia Wheeler Some of the 40 featured artists include Pat Wheeler, Carolyn Caldwell, Robert Shetterly, Abby Shahn, Kenny Cole, Becky McCall, Katherine Bradford, Katherine Porter, Cathy Melio, Lesia Sochor and many others. [show more]
Description: An installation by Barbara Andrus of Swans Island, Maine and New York, New York Opening reception Friday, January 13, 2006 5:00 - 7:00 p.m. Ethel H. Blum Gallery Open exhibit from January 11 - February 19, 2006
Description: Religion and Politics - Church and State Image: Let's Leave God Out of It, Janelle Delacata Union of Maine Visual Artists February 27 - March 17, 2006 Ethel H. Blum Gallery Opening Reception - Thursday, March 2, 2006
Description: Moss & Wingspread Exhibit Celebrate the Moss and Wingspread galleries' artistic contributions to our community before the 2008 fire in Northeast Harbor. College of the Atlantic's Ethel H. Blum Gallery June 14--July 20, 2009 Tuesday through Saturday, 11 a.m. to 4 p.m. Opening Reception Sunday, June 14 from 5:30 --7:30 p.m. Panel Discussion Studio Patterns moderated by Suzette McAvoy* Thursday, July 2 from 5-7 p.m. McCormick Lecture Hall, COA Campus Participating Artists: Thistle Brown Rebekah Raye Philip Heckscher Adele Seronde *Suzette McAvoy is the former chief curator of the Farnsworth Art Museum in Rockland, Me. Studio Patterns will feature four exhibited artists discussing their studio practices. Images top to bottom: Moss Gallery exterior & interior shots (courtesy of the Moss Gallery), Wingspread Gallery (courtesy of Norvie Bullock), "Sail" by Wingspread artist Mark Newton (courtesy of Mark Newton). [show more]
Description: August 14 - September 18 This special collection explores the secret history of the humble garden pot from its origins in the ancient world to its place in today's elegant contemporary garden. Featuring work by Guy Wolff, Whichford Studios, Lunaform, seldom-seen pieces by Eric Soderholtz and others. Guy Wolff will give a lecture and demonstration on the potters wheel at the opening reception. Opening reception on Sunday, August 15 from 5:00 to 7:00 pm Image: page from original E.E. Soderholtz catalogue, circa 1920s. [show more]
Description: Unmasking Tribal Africa June 10 - July 3 Spirit beings and memories of departed ancestors are imbued in ceremonial masks and baskets from the traditional cultures of Victoria Falls, Zimbabwe, Africa, displayed in a special exhibit curated by Dominic Muntanga, COA class of 2004 The Ethel H. Blum Gallery College of the Atlantic
Description: Philadelphia on the Rocks July 7 - August 8, 2004 Philadelphians have long enjoyed the charms of Mount Desert Island. Six contemporary painters: Stanley Bielen, Emily Brown, Tish Ingersoll, Douglas Martenson, David Shevlino, and Scott Wright depict the contrasting scenes of city and country. Image 3: Wing & Sunspot oil on polyflax 62" x 48", 2003 Scott Wright
Description: A reception followed by a lecture and slide presentation, "Collecting Art in America," by John Wilmerding, Collector, Curator, and Scholar, Thursday, August 5, 2004. Reception at the George B. Dorr Museum of Natural History. John Wilmerding is a professor of art at Princeton University and longtime summer resident of Northeast Harbor. He is the Visiting Curator at the Metropolitan Museum of Art. He is an emeritus trustee of the Shelburne Museum in Vermont and on the Board of Trustees of the Guggenheim Museum in New York and the College of the Atlantic. He was formerly Senior Curator of American Art and Deputy Director of the National Gallery of Art in Washington, where he organized the landmark exhibition "American Light: The Luminist Movement" in 1980. Professor Wilmerding is the author of many books and catalogs on American art, including American Marine Painting (Harry N. Abrams, 1987), American Views (Princeton, 1991), monographic studies of Robert Salmon, Fitz Hugh Lane, John F. Peto, Winslow Homer, and Thomas Eakins, and The Artist's Mount Desert: American Painters on the Maine Coast (Princeton University Press, 1994). His most recent book, Compass and Clock, illuminates major continuing themes in the national character. Professor Wilmerding recently bequeathed his private collection, which includes works by Church, Marin, Homer, and Lane, to the National Gallery of Art in Washington, D.C., where they are on view in the East Building through October 10, 2004. [show more]
Description: Open House You are invited to a pre-lecture gathering at the Dorr Museum in honor of the museum's Summer of Rachel Carson. MacArthur Fellow Carl Safina talks about his use of science, art and literature to inspire a closer relationship with the sea and its conservation needs. An exhibit on Rachel Carson, created by COA students, will be on view. 5:30 p.m. in the George B. Dorr Museum Front text: Tosia australis Uniophora granifera PDF description: A brochure describing a 2007 Dorr Museum Champlain Society lecture by Carl Safina of the Blue Ocean Institute on "History and Destiny in World Fisheries," held in honor of the centennial of Rachel Carson. [show more]
Description: Beauty and the Beast: Nature Images August 18 - October 12, 2003 This exhibit features nineteen color and photogravure prints of New York-based photographer Barbara Yoshida, whose work has been shown throughout the world. Since 1996, six artist's residencies in National Parks, including Acadia National Park, have provided an opportunity for Ms. Yoshida to reexamine her relationship with nature. Her large-format images capture the diversity of landscape on the planet and the various forms of life that it supports, and reflect her conviction that the preservation of nature with a camera is inextricably linked to the preservation of various species and their habitats. In other words, the medium fits the message. Front: Jawbone, Lilies, and Maple. 14" x 11" Silver Gelatin Print. Courtesy of Barbara Yoshida [show more]
Description: Doll, Hitty Diane, wood, in black and white striped dress with red flower motif on dress, white pantaloons and petticoat, written on back: "2006 [1/4 moon symbol] / del Hahn '06 / [fish symbol]"; Hitty Diane was carved by T.C. Vollum and painted by Michelle DelValle; donation also includes Hitty Cranberry (item 1340) and a 2-level doll house with accessories, plus a blue cloth-bound memorial book in honor of Diane Barrow-Clark (item 1335); Hitty Diane was donated in 2007 by T.C. Vollum and the HittyGirls Yahoo Group. (See GCIHS webpage for Hitty doll information.) With three other dresses: black/white houndstooth with white apron and red shawl; red/tan floral with bonnet; tan with daisy print. Accoutrements: blue felt shawl, blue knitted scarf, blue knitted poncho and hat. 5 wooden doll mannekins for clothing. Knick knacks and clothing stored in doll house trunk. Rugs and furniture in doll house. (See also items 1928, 1335, and 1340. Photo 1928B shows set up before dismantling.) [show more]
Description: Doll, Hitty Thonotosassa, carved from linden (basswood) by Janet Cordell, marked "Janet Denton-Cordell / L-68 / 2006", dressed in Swiss batiste "onesie" underwear with Hitty cross-stitched in red on the yoke, and a flowered buff-yellow cabbage rose dress by "Hitty Couture"; sitting in a prop twig nest with three crows, also with an illustration by Dorothy P. Lathrop cut from the book "Hitty: Her First Hundred Years", written by Rachel Field, 1929. All donated donated by: Vickie Applegate, Elise Buhn, Susan Duncan, Josie Fuller, Elaine Hill, Sharon Horswill, Jill Hunter, Michelle Kirby, Martha Maxwell, Laurel Parker, Sue Parker, Barbara Polidoro-Conklin, Nancy Schell, Ann Stroupe, Eileen Turner, and TC Vollum; displayed under a glass bell jar. (See GCIHS web page for Hitty doll information.) [show more]
Description: Doll, Hitty Cranberry, cloth and painted stuffed doll, clothed in tan dress with cranberry motif, cranberry colored knitted shawl, and white pantaloons; face hair, arms, legs, and shoes painted on cloth; written on back of doll "In Memory of Diane Clark / Hitty / By / Nancy / Schell / 2006"; Hitty Cranberry was made by Nancy Schell; donation also includes a 2-level doll house, plus Hitty Diane (item 1928) and a blue cloth-bound memorial book in honor of Diane Barrow-Clark (item 1335); Hitty Cranberry was donated in 2007 by Nancy Schell and the HittyGirls Yahoo Group. (See GCIHS web page for Hitty doll information.) Two additional dresses: blue floral pattern with red shawl; grey dress with white shawl and cap. One doll-sized book, two crocheted blankets, 1 bed, 1 clothes rack and rug. [show more]
Description: Advanced GIS project mapping the prevalence and distribution of the three major branches of Altaic languages, Tungusic, Mongolic, and Turkic. Includes a table of all the languages within these three branches.
Description: Photos: 3 snapshots of Hitty ladies including Virginia Heyerdahl (editor of Friends of Hitty Newsletter), who visited the schoolhouse museum in November 2005. Photo 1: blank. Photo 2: Hitty Ladies & Bruce Komusin. The women include Virginia Heyerdahl - they donated some Rachel Field books shown on the table. Photo 3. Sarah Newell in schoolhouse museum behind Rachel Field books, some just donated.
Description: Letter (copy) sent by Hugh L. Dwelley to Mildred Cole Peledeau in 2004, about Cranberry Island Rugs. Hugh's letter includes several patterns for rugs: "Jefferson's Fancy", "Dimond Diaper", "Rose of Sharon", and some unlabeled. The patterns are also labeled "Mrs. Eliza Murray", "1840", and "1844". A photo of some samples made form the patterns in 1999.