Description: Sparrow Hawk #147, 1920 Blue Jay #66 Pigeon Hawks #63 Double Crested Cormorants #80 Great Blue Heron Pileated Woodpecker, 1918 American Swift #92, 1919 Grey Owl #124 Great Black Back Gull #79, 1918 Greater Grey Owl #136, 1920 American Goshawk, 1920 Broad Wing Hawk #72 American Goldfinch, 1918 American Redstart, 1918 Ruffed Grouse, 1918 Common American Crow #74, 1918 Coopers Owl with field mouse #92, 1919 Coopers Hawk #2, 1919 Snowy Owl Old Squaw #110, 1918 [show more]
Description: Chromolithograph - Plate XI - Artist - Ernst Heign. The Natural History of Plants: Their Forms, Growth, Reproduction and Distribution, by Anton Kerner von Marilaun, Half Volume III, 1895. Printed in Leipzig by the Bibliographisches Institute . Image courtesy of ancestryimages.com - copyright free for non-commercial use. "Those running personal websites dealing with family history, genealogy, or other historical research etc. are most welcome to copy any of the map or print images for their own use, as are charity and non-profit organizations. 1898: "E.S. Rand, commemorated in Victoria Randi, died recently in Para, Brazil. He was an expert plantsman, a private gentleman, and wrote interestingly on various horticultural subjects." - American Gardening, Volume 19, 1898, p. 458. Victoria Regia, as shown in this illustration, does not purport to be variety Randi, but similar to that named for Edward S. Rand. "Victoria Randi, the new Crimson Victoria, is a variety of recent introduction ; very similar to the Victoria Regia, except the vertical edges of the leaves are broader, forming a deeper 'tray' and the flowers, opening white, soon change to a deep crimson." - "Botanical guide through the Phipps conservatories in Pittsburg and Allegheny" by Gustave Guttenbert, Pittsburg, Pennsylvania, 1894. [show more]
Description: There are no actual images of Samuel de Champlain. This wood engraving is often used to depict him although there are several theories about who the model for earlier versions of this image may have been.
Description: "Even more dramatic is Fenn’s view of the Maine coast, ‘The Spouting Horn’ in a Storm,” with the mast of a wrecked ship, an example of the sublime associated with danger and man’s weakness in face of nature’s power. The metaphor of battle to describe the confrontation of sea and rocky coast had become a literary convention used by several Picturesque America writers." – Part of the author’s discussion of 19th century artists who added drama to what they saw when illustrating it, before the advent of photography. - "Creating picturesque America: Monument to the Natural and Cultural Landscape" by Sue Rainey, Vanderbilt University Press, 1994, p. 215. Drawn by Harry Fenn Wood Engraving by William James Linton [show more]
Description: Wood Engraving by an unknown artist - from "Mount Desert" by George Ward Nichols Harper’s New Monthly Magazine, No. CCLXVII, August, 1872, Vol. XLV, p. 332.
Description: Wood Engraving by an unknown artist - from "Mount Desert" by George Ward Nichols, Harper’s New Monthly Magazine, No. CCLXVII, August, 1872, Vol. XLV, p. 321. The illustrations in the Harper's article, with one exception, are those used again in “Nooks and Corners of the New England Coast” by Samuel Adams Drake, Harper & Brothers, Publishers, New York, 1875. “Superbly illustrated by eminent American artists.” – From an advertisement by Harper & Brothers – The Nation, July 15, 1875, p. 47. [show more]